Yandel Joins Star-Studded Line-Up At Kaya Fest
MIAMI, March 15, 2018 /PRNewswire-HISPANIC PR WIRE/ — Kaya Fest announces that GRAMMY Award-winning and urban music artist Yandel will join this year’s Kaya Fest line-up. Produced by Fruit of Life Productions and OneRise Entertainment, Kaya Fest is a two-day music and awareness festival being held at NOS Events Center April 28 – 29 in San Bernardino, California.
One of the earliest protagonists of the two-decade-old music genre, Yandel’s wildly successful style of reggaeton injects rhythm and nuances from Hip Hop, R&B, Pop and Reggae. Update his fourth studio album, including the hit song Sólo Mía which just surpassed 50 million views on YouTube, was released in September 2017 on Sony Music Latin.
“Music brings people together. Having Yandel at Kaya Fest this year means that our movement of unity, celebration and one love spreads to even more cultures and the message reaches even more people,” said Stephen Marley, founder of Kaya Fest.
Known as a member of the duo Wisin & Yandel, he is the only reggaeton act to win both a Grammy and a Latin Grammy Award.
“Reggaeton, which originated in Puerto Rico, is partly influenced by Caribbean music, in particular Jamaican reggae and dancehall. The musical experience shared with festivalgoers at Kaya Fest is a daily discussion and reggaeton was a natural addition for us,” said David F. Alfonso, chairman at OneRise Entertainment.
Yandel is set to perform at Kaya Fest on Saturday, April 28th and joins a two-day lineup of notables including Stephen Marley, Ziggy Marley, Damian Marley, Julian Marley, Ky-Mani Marley, Ms. Lauryn Hill, Cypress Hill, Action Bronson, Chronixx, Toots & the Maytals, Common Kings and guitarist Tom Morello of Rage Against the Machine to name a few for Kaya Fest 2018.
More exciting artist announcements are forthcoming. The current line-up, tickets and additional information can be found at kayafestivals.com.
ABOUT KAYA FEST
Created by Stephen “Ragga” Marley of Fruit of Life Productions, Kaya Fest is a one-of-a-kind socially conscious music and awareness festival experience that fosters unity, one love and peace amongst people from all over the world. Named one of the Top 10 Music Moments of 2017 by Miami New Times, each year Kaya Fest invites a notable roster of artists and appreciators to celebrate and get involved. More information and the full line-up can be found at www.kayafestivals.com.
ABOUT ONERISE ENTERTAINMENT
Founded by David F. Alfonso, OneRise Entertainment (“OneRise”) provides a creative home designed to guide and encourage artists. OneRise identifies, develops, produces, promotes and manages songwriters, recording artists and filmmakers. The company is committed to nurturing talent and presenting art that inspires and unites the world community. OneRise delivers this support through two divisions: OneRise Music and OneRise Pictures.
Media Contact:
Shalishah Franklin
213-949-3204
[email protected]
Photo – https://mma.prnewswire.com/media/654899/Kaya_Fest_Yandel.jpg
Logo – https://mma.prnewswire.com/media/644290/Kaya_Fest___Logo.jpg
SOURCE Kaya Fest
Spanish Broadcasting System Wins Two “Medallas de Cortez” Awards From Radio Ink
MIAMI, March 14, 2018 /PRNewswire-HISPANIC PR WIRE/ — Spanish Broadcasting System, Inc. (the “Company” or “SBS”) (OTCQX: SBSAA), a leading Hispanic media company, today announced it received two Medallas de Cortez Awards at the Hispanic Radio Awards hosted by Radio Ink in Doral, Florida.
SBS’s “Jammin” Johnny Caride, Director of Programming of WXDJ-FM EL NUEVO ZOL 106.7FM was honored with the “Program Director of the Year” award. VP of Corporate Communications, Vladimir Gomez, received the “Marketer of the Year” award. SBS Radio platforms were represented with 5 finalists across 8 categories, which recognize outstanding achievements and leadership in the Hispanic radio marketplace.
SBS winners for the 2018 Medallas de Cortez Awards are:
- Marketer of the Year: Vladimir Gomez – Spanish Broadcasting System, Inc.
- Program Director of the Year: “Jammin” Johnny Caride, WXDJ-FM- El Nuevo Zol 106.7FM- Miami- Spanish Broadcasting System, Inc.
The Medallas de Cortez Awards, created by Radio Ink, is the only awards dedicated to celebrating the very best in Hispanic radio and honors industry leaders in station management, sales, programming, and advertising. They were named after Raoul Cortez, a pioneer in the Hispanic radio industry.
Key members of the SBS team were among the speakers and panelists participating at the event including: Albert Rodriguez, EVP/COO, Jesus Salas, EVP/Programming & Multiplatform Coordinator, Maire Mason, VP/General Manager, WSKQ & WPAT, New York, Donny Hudson, VP/General Manager, WXDJ, WRMA, WCMQ, Miami, Florida. This talented and experienced group of executives celebrated SBS’ Medallas de Cortez wins and discussed the future of radio via participation in a diverse set of panel discussions.
“SBS has a long history of providing the best content to our listeners and, with stations in the top 50 fastest growing U.S. Hispanic markets, we are well positioned to continue to entertain and inform Hispanic audiences for years to come,” said Albert Rodriguez, COO of SBS. “We are thrilled to be honored among this prestigious group of Spanish-language broadcasters. Congratulations to the entire SBS Radio Division, Johnny Caride, Vladimir Gomez, as well as all of our stations and employees who were finalist this year. We are proud of all of their hard work, dedication and service to our local communities.”
Radio Ink Publisher Deborah Parenti said, “The Medallas de Cortez awards represent a celebration of Hispanic radio and its dedicated professionals. Every one of them, in large markets and small communities, make Hispanic radio an intimate part of the lives of listeners and clients. This is the biggest year ever in terms of awards competition. While there can be only one winner in each category, we are extremely proud to recognize all of the winners, who are truly worthy of our respect and admiration.”
“Being awarded two Medallas de Cortez is a testament to the dedication of our SBS team who delivers the best programming and experiences available each day. Our team continues to produce leading radio offerings and I am proud of their untiring commitment to keeping our community informed and entertained,” said Jesus Salas EVP of Programming, Multiplatform Coordinator of SBS. “This dedication to our audiences and the Hispanic radio industry resulted in a record number of finalists, and we are truly honored to receive 2 plaques, including the prestigious “Program Director of the Year” and “Marketer of the Year” award. Special thank you to Radio Ink Magazine.”
Winners were announced at the Medallas de Cortez ceremony, as part of the Hispanic Radio Conference, March 13-14 in the Intercontinental Hotel at Doral, Florida.
For conference agenda and full details, visit www.hispanicradioconference.com.
About Radio Ink Magazine
Radio Ink Magazine is the radio broadcasting industry’s premier management and marketing trade magazine. Radio Ink is published by Boynton Beach, Florida-based Streamline Publishing, Inc. The bi-monthly magazine celebrated its 20-year anniversary in 2012. For more information, visit www.radioink.com.
MEDIA CONTACT FOR SBS:
Vladimir Gomez
[email protected]
(786) 470-1644
MEDIA CONTACT FOR RADIO INK HISPANIC CONFERENCE:
Deborah Parenti
Publisher
Radio Ink/RBR/TVBR/Radio Discussions
[email protected]
www.radioink.com
www.rbr.com
www.radiodiscussions.com
Photo – https://mma.prnewswire.com/media/654612/johnny_caride.jpg
Photo – https://mma.prnewswire.com/media/654613/Spanish_Broadcasting_Wins_2_Medallas_de_Cortez.jpg
SOURCE Spanish Broadcasting System, Inc. (SBS)
COFINA Constituents Set the Record Straight with Facts on Sales & Use Tax Collection Data
NEW YORK, March 15, 2018 /PRNewswire-HISPANIC PR WIRE/ — A group of COFINA constituents that includes Ambac, the COFINA Seniors Coalition, National Public Finance Guarantee Corporation and the Puerto Rico Funds, which collectively accounts for more than $6.5 billion of bonds issued by the Puerto Rico Sales Tax Financing Corporation (“COFINA”), released the following statement today regarding the January 2018 revenue report issued by the Government of Puerto Rico on March 8:
“As the citizens of Puerto Rico look to their government for leadership and transparency, we are concerned that the public’s continued receipt of inaccurate information about the island’s financial situation now extends to Sales & Use Tax (“SUT”) collections. This troubling pattern is adversely impacting every one of Puerto Rico’s residents and stakeholders by extending – rather than accelerating – the expensive restructuring process as well as critical post-hurricane recovery efforts intended to revitalize the island. The latest misrepresentations can be found in last week’s report on net revenues, which distorts SUT collection data.
The truth, which was omitted from last week’s report, is that post-hurricane SUT collections are strong and they continue to trend upward despite ongoing power outages and the full SUT exemptions that the government invoked for small businesses, mid-size enterprises and prepared foods between November 2017 and January 2018. The government’s report did not account for these exemptions, which reduced revenues by approximately $60 million. Adjusting for the government’s decision to reduce revenues, year-over-year SUT collections are down approximately 6% through March 2, 2018. This figure is far smaller than the misleading 11% decline reported by the government[1], and it reinforces the fact that SUT collections remain robust even in the aftermath of recent devastating hurricanes.
In addition, Puerto Rico’s Treasury Department attributes lower SUT revenue flowing to the General Fund to the fact that the required buildup of cash within the COFINA structure concluded in February instead of in early January, as was the case in 2017. Last week’s report does not mention that the Government of Puerto Rico enacted Law 84, which altered the flow of funds to COFINA by redirecting 0.5% of the SUT to municipalities beginning in July 2017. Had this change not been made, COFINA would have been funded in January 2018.
Looking ahead, there is real cause for optimism based on data that indicate February 2018 SUT collections are in-line with February 2017 figures. COFINA, which is the most widely-held bond issuance among local savers and retirees, remains Puerto Rico’s most affordable vehicle to re-access the capital markets going forward. The structure has consistently provided financing at a lower cost than General Obligation debt. These are just a few of the reasons why we call on the administration to shift from obfuscating the facts and undermining COFINA to driving a transparent, pro-growth agenda for the future.”
For a copy of Miller Buckfire & Company’s analysis of SUT collection data, please reach out to: [email protected] and [email protected]
[1] Press release titled “Puerto Rico Treasury Reports Net Revenues to the General Fund for January 2018” dated March 8, 2018.
SOURCE Group of COFINA Constituents
(Español) La artista plástica Ana Candioti es reconocida en Estados Unidos por el Alcalde Joseph Smith, por su trayectoria artística homenajeando a la mujer en su muestra de arte “Mujeres de la Tierra” en North Miami
ESOP Association Applauds Committee Passage of H.R. 5236
WASHINGTON, March 15, 2018 /PRNewswire-HISPANIC PR WIRE/ — The ESOP Association applauds Rep. Nydia Velazquez (D-NY) and Rep. Steve Chabot (R-OH) for their roles yesterday in introducing and supporting H.R. 5236, the Main Street Employee Ownership Act of 2018. The bill, which was introduced today and approved unanimously by the House Small Business Committee, seeks to redress longstanding inequities in how the Small Business Administration (SBA) administers its loans with respect to Employee Stock Ownership Plans (ESOPs).
“The SBA was authorized to loan to ESOPs in 1979,” said Rep. Velazquez. “Unfortunately, this tool has been rarely used, due to a lack of understanding of the business structure and cumbersome transition requirements.”
Rep. Chabot, the Committee Chair, bolstered H.R. 5236 by adding a chair’s amendment, and also urged other committee members to support the bill.
“H.R. 5236 provides important reforms to how the SBA treats employee owned businesses,” he said during the Committee meeting. “From updating reporting statistics to capturing accurate data, to codifying ownership transition plans, H.R. 5236 will provide clarity to small businesses that truly need it.”
The bill now moves to the full House for consideration.
Rep. Velazquez thanked Rep. Chabot for his support. She also pointed out that she had worked very closely with the office of Sen. Kirsten Gillibrand (D-NY) on supporting employee ownership.
“The support of Rep. Velazquez, Rep. Chabot, and Sen. Gillibrand underscores that ESOPs and employee ownership merit and continue to receive support that is bipartisan and bicameral,” said ESOP Association President J. Michael Keeling. “As Rep. Velazquez noted in her remarks, Baby Boomers own a vast number of businesses in this country, and as those owners prepare to retire, their companies may face uncertain futures. No businesses should shutter, and no employees should lose their jobs, when becoming employee owned is a perfectly sound, well researched, well regarded business option. This bill will make it easier for businesses to pursue that alternative, with help from the SBA.”
Video of the Committee meeting can be seen at: https://www.youtube.com/watch?time_continue=4003&v=shCCtzcI8LE
About the ESOP Association
The ESOP Association is America’s largest employer-sponsored advocacy and education association focused on employee stock ownership plans. Founded in 1978, the Association seeks to enhance federal laws governing ESOPs, provide members with expert information, and fund research via the Employee Ownership Foundation (an affiliate).
The ESOP Association is a national non-profit organization with 18 local Chapters. Its members include ESOP companies, companies considering an ESOP, and service providers that assist in setting up and maintaining ESOPs.
SOURCE The ESOP Association
Alcohol Justice Reports California Senate Committee Chooses Commerce Over Public Health & Safety by Approving the Dangerous 4 a.m. Bar Bill
SACRAMENTO, California, March 14, 2018 /PRNewswire-HISPANIC PR WIRE/ — Alcohol Justice and the California Alcohol Policy Alliance (CAPA) expressed disappointment as a majority of the California State Senate Governmental Organization Committee (GO) voted 8-2 at a March 13, 2018 hearing, allowing SB 905 to proceed. The bill was introduced by Senator Scott Wiener (D-San Francisco) and a number of co-authors including Senator Ricardo Lara (D-Bell Gardens).
At the hearing, opponents presented compelling, peer-reviewed data on harms and costs that would result from two additional hours of alcohol sales. Yet the committee seemed disinterested. The bill’s author attempted to discount it entirely while offering again his own meaningless, cherry-picked, disparate, numbers from federal sources.
Los Angeles City Councilmember Paul Koretz appeared and refuted Senator Wiener’s statement that Los Angeles had asked to be included in the bill’s list of cities that could apply for later last call. Koretz stated that he was against expanding alcohol sales to 4 a.m., and that the City Council had not been consulted and would probably not approve of it either.
Carson Benowitz-Fredericks, Research Manager at Alcohol Justice, summarized the existing evidence supporting how the acute effects of extending alcohol sales would spread to “Splash Zones” surrounding the six cities mentioned in the bill: Los Angeles, San Francisco, Sacramento, Oakland, Long Beach, and West Hollywood. He also commented that a true “pilot project” would cover a small sample, not the 76% of the state’s population that will be exposed to additional alcohol-related harms if SB 905 becomes law. He also stated that the bill did not contain any language detailing the collection or analysis of data, or even how to pay for this so-called “pilot project.”
In response to the author’s continued mischaracterization of SB 905 as a ‘local control’ measure, there is consensus among opponents that there is no such thing as local control in alcohol policy and that the harm from one city’s decision to change last-call times will “splash” over to every surrounding community.
Brenda Villanueva, Prevention Coordinator of Pueblo y Salud and Co-chair of the Los Angeles Drug & Alcohol Policy Alliance testified that Southern California does not have reliable, late night transportation options across cities’ borders. She said “…the bill will cause early morning commuter backup for the inevitable 4:30 to 5:30 a.m. drunk driving collisions from the bar crawlers who have to leave the entertainment districts and go back to their city of origin.”
Brenda also offered a statement from Jonathan Fielding, M.D., M.P.H., M.A., M.B.A, Distinguished Professor UCLA Fielding School of Public Health and UCLA Geffen School of Medicine. Dr. Fielding was Chair of the U.S. Community Preventive Services Task Force which found in a peer-reviewed, global meta-analysis that every 2-hour increase in last-call times results in greater vehicle crash injuries and E.R. admissions. (Hahn et al., 2010) Dr. Fielding stated, “…I have no reason to believe that an increase in hours of sale anywhere in the U.S. would have different results.”
California currently suffers over 10,500 alcohol-related deaths and $34 billion in costs annually. The California Office of Traffic Safety has reported that fatal DUI is a chronic, worsening problem for the state. Between 2014 and 2016, alcohol-related crash deaths rose 21%. That number can only go with two additional hours of alcohol consumption. Thus, the only benefit of selling alcohol between 2 and 4 a.m. will be greater profits to bar, restaurant, and club owners in the party zones the bill will create. While the public and all levels of government will be forced to continue to cover the costs of cleaning up the mess that follows.
“It is profoundly disturbing that this committee will not even acknowledge the current annual catastrophe of alcohol-related harm in California,” stated Michael Scippa, Public Affairs Director for Alcohol Justice. “Instead, they approve a measure that will increase it. Not surprising really, as there is no other committee in the Senate so vulnerable to alcohol industry lobbying. The term GUI – Government Under the Influence — sadly fits them to a tee.”
According to the website followthemoney.org, California Senate GO Committee members who voted YES to approve Wiener’s poorly constructed and funded six city, 5-year experiment have taken a total of $727,802 in campaign contributions from beer, wine and spirits companies:
- Chairman Bill Dodd (D-Napa) — $217,957
- Cathleen Galgiani (D-Stockton) — $141,016
- Anthony Cannella (R-Ceres) — $86,372
- Anthony Portantino (D-La Canada Flintridge) — $84,488
- Ricardo Lara (D-Bell Gardens) — $62,171
- Jerry Hill (D-San Mateo) — $59,999
- Steven Glazer (D-Orinda) – $38,399
- Steven Bradford (D-Gardena) – $37,400
Two Senators voted NO: Ted Gaines (R-El Dorado Hills), Andy Vidak (R-Hanford)
Two Senators were absent: Tom Berryhill (R-Modesto), Ben Hueso (D-San Diego)
The bill now heads to the Senate Appropriations Committee where opponents would like to see the Governor’s State Budget and Accounting Department weigh-in. There is no language in SB 905 for additional funding for a true “pilot study” or for local enforcement or emergency services to deal with the projected increases in alcohol-related violence and traffic crashes after 4 a.m.
For more information or to TAKE ACTION, please visit AlcoholJustice.org.
|
CONTACT: |
Michael Scippa 415-548-0492 |
|
Jorge Castillo 213-840-3336 |
Logo – https://mma.prnewswire.com/media/147418/alcohol_justice_logo.jpg
SOURCE Alcohol Justice
2018 Mazda6: Premium Performance and Design Heighten Appeal
IRVINE, California, March 15, 2018 /PRNewswire-HISPANIC PR WIRE/ — Adorned with authentic materials like our Japanese Sen Wood and Nappa leather, the 2018 Mazda6 elevates its premium positioning above the mainstream fray and into a higher class of competition. New technologies and refinements complement Mazda6’s stellar reputation for driving dynamics and design.
Thoroughly re-engineered for 2018, Mazda6 is quieter, more comfortable, carries more standard and available features and even comes with a newly available engine option, the torquey, turbocharged SKYACTIV-G 2.5T.
Every detail has been rethought to polish and elevate Mazda6. Yet, Mazda6 doesn’t betray its roots, still available with its six-speed SKYACTIV-MT manual transmission in the entry Mazda6 Sport model as well as an available, quick-shifting SKYACTIV-DRIVE six-speed automatic transmission with Sport Mode that recalibrates the transmission for more spirited driving.
Mazda6 Sport comes with an efficient SKYACTIV-G 2.5 engine, which enjoys a number of refinement upgrades for 2018. Smoother and quieter, the engine now produces 187 horsepower and 186 lb-ft of torque. When paired with its available automatic transmission, Mazda6’s 2.5-liter engine comes standard with cylinder-deactivation technology, which shuts off its two outside cylinders in cruising conditions for even more efficiency. Mazda is the only automaker to employ this technology in a four-cylinder engine in North America.
Additionally, Mazda6 Sport comes standard with an electronic parking brake, cloth seats, a six-way manual driver’s seat with lumbar support, dual-zone climate control, remote keyless entry, push-button start, a 60/40 split-folding rear seat, cruise control, 17-inch alloy wheels, a six-speaker audio system, Bluetooth phone and audio pairing, MAZDA CONNECTTM infotainment system with and Commander control knob and touchscreen control, rearview camera, a new eight-inch display screen, Blind Spot Monitoring and Rear Cross-Traffic Alert. Other newly standard features include LED headlights and tail lights and Smart City Brake Support, which automatically applies the brakes in emergency stops below 19 mph.
When paired with its available six-speed automatic transmission, Mazda6 Sport can be had with the i-ACTIVSENSE package, further adding Smart Brake Support, Lane-Departure Warning, adaptive Mazda Radar Cruise Control, Lane-Keep Assist, High Beam Control, automatic on/off headlights and rain-sensing windshield wipers.
Mazda6 Touring includes all of the convenience and safety features available in Mazda6 Sport but upgrades to leatherette seating surfaces, standard SKYACTIV-DRIVE six-speed automatic transmission, 19-inch alloy wheels, Advanced Keyless Entry and a six-way power driver’s seat. Rear HVAC vents, heated front seats and a power moonroof complement the package.
Turbocharged motivation catapults Mazda6 Grand Touring, equipped with Mazda’s SKYACTIV-G 2.5T, which can generate a robust 310 lb-ft of torque from just 2,000 RPM. It offers effortless performance, with power sent through a SKYACTIV-DRIVE six-speed automatic that was developed specifically for high-torque applications. Power comes on nearly instantaneously, courtesy of its innovative Dynamic Pressure Turbocharger, which uses a small valve to create high boost pressure, akin to holding your thumb over the end of a garden hose. Once the engine is up to speed, a secondary valve opens up to allow more airflow through the turbocharger.
Mazda6 Grand Touring also adds an 11-speaker BOSE® Premium audio system, SiriusXM satellite radio with a four-month trial subscription, Mazda Navigation, an auto-dimming interior mirror, auto-dimming driver-side mirror, heated side mirrors and paddle shifters mounted on the steering wheel.
Further upping the ante, Mazda6 Grand Touring Reserve comes with black or Parchment leather-trimmed seats, a windshield-projected Active Driving Display with Traffic Sign Recognition, an eight-way power driver’s seat, six-way power front passenger’s seat, Adaptive Front-lighting System (AFS), brilliant silver alloy wheels, rear lip spoiler, windshield wipers de-icer, heated rear seats and a heated steering wheel. Mazda6 Grand Touring Reserve is also the entry point for Mazda’s first-ever ventilated front seats, which wick hot air away from the driver and front passenger’s backs to keep them cool.
The lineup is bookended with the new Mazda6 Signature, becoming the second Mazda model behind Mazda CX-9 to offer this aspirational trim level, replete with premium amenities. Mazda6 Signature is available with either Parchment or Deep Chestnut Nappa leather seating surfaces, Japanese Sen wood interior accents, gilded UltraSuede® NU whose coloring was inspired by Japanese kimonos, a new 360⁰ View Monitor, front and rear parking sensors, a seven-inch TFT reconfigurable gauge display, frameless rearview mirror and a gunmetal-colored grille.
Thoroughly reworked underneath the sheet metal, Mazda6 integrates many of the learnings introduced in the CX-5 and CX-9 crossover SUVs and goes a step further to build an engaging, confident sedan that only Mazda could build, with as ample a presence at a valet on Rodeo Drive as the snaking roads of Mulholland Drive.
|
MSRP2 for the 2018 Mazda6 is as follows: |
|
|
Mazda6 Sport 6MT |
$21,950 |
|
Mazda6 Sport 6AT |
$23,000 |
|
• Sport i-ACTIVSENSE Package (6AT only) |
$625 |
|
Mazda6 Touring |
$25,700 |
|
Mazda6 Grand Touring |
$29,200 |
|
Mazda6 Grand Touring Reserve |
$31,700 |
|
Mazda6 Signature |
$34,750 |
|
Premium Paint Colors: |
|
|
Soul Red Crystal |
$595 |
|
Machine Gray Metallic |
$300 |
|
Snowflake White Pearl Mica |
$200 |
The 2018 Mazda6 will be available in dealerships nationwide in April.
Mazda North American Operations is headquartered in Irvine, California, and oversees the sales, marketing, parts and customer service support of Mazda vehicles in the United States and Mexico through nearly 600 dealers. Operations in Mexico are managed by Mazda Motor de Mexico in Mexico City. For more information on Mazda vehicles, including photography and B-roll, please visit the online Mazda media center at InsideMazda.MazdaUSA.com/Newsroom.
Follow MNAO’s social media channels through Twitter and Instagram at @MazdaUSA and Facebook at Facebook.com/MazdaUSA.
1 Manufacturer’s Suggested Retail Price does not include $890 for destination and handling or additional taxes or fees. Dealers set actual sale prices.
2 Manufacturer’s Suggested Retail Price does not include $890 for destination and handling or additional taxes or fees. Dealers set actual sale prices.
Logo – https://mma.prnewswire.com/media/53154/mazda_north_american_operations_logo.jpg
SOURCE Mazda North American Operations
UniverSoul Circus Brings Historic 25th Anniversary Tour To Queens, Brooklyn, Mt. Vernon And Newark
NEW YORK, March 15, 2018 /PRNewswire-HISPANIC PR WIRE/ — A show for All Ages!
UniverSoul Circus proudly celebrates twenty-five high-flying years as America’s top-ranked venue for music, laughter, and unrivalled performance artistry. Commemorating its 25th anniversary in 2018, UniverSoul Circus has forever transformed the world’s urban entertainment landscape with an unforgettable display of music, laughter, and extreme thrills. Acts include Ringmaster Lucky and his sidekick Zeke.. Other acts include Caribbean Dancers, Fresh Clowns, Comedy Dogs, Teeterboard, Trampoline, Pole, Quick Change, Horses and Daredevil Motorcycles. UniverSoul Circus features a multicultural conglomeration of performers from virtually every corner of the globe, including the United States, Trinidad and Tobago, South Africa, Mongolia, Chile, Cuba, Russia, Guinea, and China.
UniverSoul Circus Tickets are on sale now at Ticketmaster.com or 800-745-3000.
UniverSoul Circus sets up its single ring big top in the following New York City metropolitan areas:
Queens at Roy Wilkins Park, March 22nd thru April 8th
Brooklyn at Floyd Bennett Field, April 11-29th
Mt. Vernon, NY at Hutchinson Field, May 2-13th
Newark, NJ at Orange and Nesbitt Avenue, May 16-28th
Visit www.universoulcircus.com for more info, ticket prices, show times, and schedules. Follow us on Facebook @UniverSoulcircus, Twitter @UniverSoulCirc and Instagram @UniverSoulCircus.
About UniverSoul Circus
Celebrating its 25th Anniversary in 2018, UniverSoul is a highly interactive combination of circus arts, theater, and music that spans genres including Pop, Classic R&B, Latin, Hip Hop, Jazz and Gospel. It embraces and celebrates the unique and familiar aspects of pop culture globally by bringing them center stage with a cast of international performers. UniverSoul Circus is rated as one of the top two circuses in America along with Cirque du Soleil. UniverSoul’s fresh approach to family friendly live entertainment has garnered it a coveted spot as one of Ticketmaster’s top ten most requested family events, along with other shows including Sesame Street Live, Disney on Ice, and Radio City Christmas Spectacular. The circus was founded 25 years ago in Atlanta by concert and theatre promoter, Cedric Walker.
“This has been an amazing journey and a fantastic ride,” said Founder and CEO Cedric Walker, speaking of UniverSoul’s 25th Anniversary. “Generations have witnessed our growth and have evolved with us. We want our fans to know they will always be a part of the UniverSoul Circus family. Consider us a community-minded, family-oriented, spiritually-uplifting entertainment revival for families across America.”
The Circus Ring of Fame Foundation, Inc. in Sarasota, FL., selected UniverSoul Founder and CEO Cedric Walker for 2018 enshrinement into the prestigious Circus Ring of Fame in recognition of his “outstanding contributions to circus arts and culture.”
CONTACT
Catherine Restivo
[email protected]
973-643-6262
SOURCE UniverSoul Circus
(Español) La periodista Nancy Clara recibe el premio “Micrófono Dorado 2018” otorgado CICAMEX por su destacada trayectoria en los medios de comunicación de Estados Unidos
